Paolo Marcolongo, «Corridoio Rosso», 2019. Anel (vidro soprado de murano, prata). Fotografia: Direitos reservados
    13. Gesine Hackenberg, «Bottle Drawing #1-3», 2021. Colares (prata). Fotografia: Gesine Hackenberg
Monika Brugger, «For Dürer», 2008. Frame (fingertip ring, photography). Photography: Matthieu Gauchet
Monika Brugger, «For Dürer», 2008. Frame (fingertip ring, photography). Photography: Matthieu Gauchet
(left) Joaquim's Sign, exposed child n.º 267, 1853 © SCML Historical File. (right) Monika Brugger, "Schmuck", 2008. Photography: Corinne Janier
(left) Joaquim's Sign, exposed child n.º 267, 1853 © SCML Historical File. (right) Monika Brugger, "Schmuck", 2008. Photography: Corinne Janier
(left) Catarina Rita’s Sign, exposed child n.º 673, 1813 © SCML Historical File. (right) Nanna Melland, «648 Years», 2010. Photography: Mirei Takeuchi
(left) Catarina Rita’s Sign, exposed child n.º 673, 1813 © SCML Historical File. (right) Nanna Melland, «648 Years», 2010. Photography: Mirei Takeuchi
(left) Paolo Marcolongo, «Corridoio Rosso», 2019. Ring (murano blown glass, silver). Photography: Alberto Petrò. (right) Hilde De Decker, «For the Farmer and the Market Gardener», 2020. Preserved jars
(left) Paolo Marcolongo, «Corridoio Rosso», 2019. Ring (murano blown glass, silver).  Photography: Alberto Petrò. (right) Hilde De Decker, «For the Farmer and the Market Gardener», 2020. Preserved jars with jewelry (jewelry, vegetable, vinegar and label). Photography: Hilde De Decker
Ruudt Peters, «LINGAM. gold», 2021. Necklace (gilded wood to gold leaf, gilded brass, gilded silver, glass). Photography: Koen Jacobs
Ruudt Peters, «LINGAM. gold», 2021. Necklace (gilded wood to gold leaf, gilded brass, gilded silver, glass). Photography: Koen Jacobs
Nedda El-Asmar, «Golden Rule(r)», 2020. Gold. Photography: Luc Daelemans
Nedda El-Asmar, «Golden Rule(r)», 2020. Gold. Photography: Luc Daelemans
José Aurélio, «Torques IX», 2021. Silver, horn and ivory found. Photography: Jorge Ricardo
José Aurélio, «Torques IX», 2021. Silver, horn and ivory found. Photography: Jorge Ricardo
Kadri Maelk, «Cold Sweat», 2020. Necklace (quartz, oxidized silver, black tahiti pearls and bronze chain). Photography: Tiit Rammul
Kadri Maelk, «Cold Sweat», 2020. Necklace (quartz, oxidized silver, black tahiti pearls and bronze chain). Photography: Tiit Rammul
Kadri Maelk, «Cold Sweat», 2020. Necklace (quartz, oxidized silver, black tahiti pearls and bronze chain). Photography: Tiit Rammul
Kadri Maelk, «Cold Sweat», 2020. Necklace (quartz, oxidized silver, black tahiti pearls and bronze chain). Photography: Tiit Rammul
Theo Smeets, «ps. Fuck You», 2011. Brooch (agate, silver, plastic and steel). Photography: Manuel Ocaña
Theo Smeets, «ps. Fuck You», 2011. Brooch (agate, silver, plastic and steel). Photography: Manuel Ocaña
Gisbert Stach, «Throwing Knives» 2018. Performance at Art Jewelry Night Budapest. Photography: Marcel Piti
Gisbert Stach, «Throwing Knives» 2018. Performance at Art Jewelry Night Budapest. Photography: Marcel Piti
Gisbert Stach, «Throwing Knives», 2015. Performance at Maximiliansforum. Photography: Reinhard Burkl
Gisbert Stach, «Throwing Knives», 2015. Performance at Maximiliansforum. Photography: Reinhard Burkl
Rui Chafes, «Lázaro», 2021. Sculpture (iron). Photography: Alcino Gonçalves
Rui Chafes, «Lázaro», 2021. Sculpture (iron). Photography: Alcino Gonçalves
Gesine Hackenberg, «Bottle Drawing #1-3», 2021. Necklaces (silver). Photography: Gesine Hackenberg
Gesine Hackenberg, «Bottle Drawing #1-3», 2021. Necklaces (silver). Photography: Gesine Hackenberg
Lúcia Abdenur, «Bolha», 2020. Reliquary (silver and pigment). Photography: Lúcia Abdenur
Lúcia Abdenur, «Bolha», 2020. Reliquary (silver and pigment). Photography: Lúcia Abdenur
Caroline Broadhead, «Preservation», 2021. Necklace (vintage pearls, glass, acrylic). Photography: Jack Cole
Caroline Broadhead, «Preservation», 2021. Necklace (vintage pearls, glass, acrylic). Photography: Jack Cole
Daniel Blaufuks, «Hoje Nada II», 2019. Photo with frame. Courtesy
Daniel Blaufuks, «Hoje Nada II», 2019. Photo with frame. Courtesy
(left) Bernard Schobinger, «Mermaid's Wedding II», 2012. Necklace (old metal fishing tools, hooks, samples, nylon, plastic). Photography and Courtesy: Galeria S O. (right) Holy Thorn Reliquaryof Chris
(left) Bernard Schobinger, «Mermaid's Wedding II», 2012. Necklace (old metal fishing tools, hooks, samples, nylon, plastic). Photography and Courtesy: Galeria S O. (right) Holy Thorn Reliquaryof Christ´s Crown, Portugal 1600. Pending Reliquary (rock crystal, gold and enamels). Museu de São Roque collection, inv.1289 © SCML
Manuela Sousa, «2020», 2021. Object (wood, paper, nitrile glove). Photography: Eduardo Sousa Ribeiro
Manuela Sousa, «2020», 2021. Object (wood, paper, nitrile glove). Photography: Eduardo Sousa Ribeiro
Hans Stofer, «Telephone», 2021. Necklace (steel nails, bakelite whistles). Photography: Hans Stofer
Hans Stofer, «Telephone», 2021. Necklace (steel nails, bakelite whistles). Photography: Hans Stofer
Tine Vindevogel, «It Is, it Becomes», 2021. Statuette (readymade of Our Lady in porcelain and gilded helmet with gold leaf, glass bell). Photography: Johan Hespeel
Tine Vindevogel, «It Is, it Becomes», 2021. Statuette (readymade of Our Lady in porcelain and gilded helmet with gold leaf, glass bell). Photography: Johan Hespeel
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Venue São Roque Museum (Gallery, Church, Museum)
Christoph Zellweger, «Cabinet of Risks & Chances» 2021. Photography: Christoph Zellweger
Christoph Zellweger, «Cabinet of Risks & Chances» 2021. Photography: Christoph Zellweger
Agnieszka Knap, «Dr. Knap Qualified Jewellery Artist», 2020. Performance. performance photography. Photography: Rikard Westman
Agnieszka Knap, «Dr. Knap Qualified Jewellery Artist», 2020. Performance. performance photography. Photography: Rikard Westman
Carla Castiajo, «Máscara para Tempos Incertos», 2020. Human hair and skin. Photography: Carla Castiajo
Carla Castiajo, «Máscara para Tempos Incertos», 2020. Human hair and skin. Photography: Carla Castiajo
Christoph Zellweger, «Cabinet of Risks & Chances», 2021. Photography: Christoph Zellweger
Christoph Zellweger, «Cabinet of Risks & Chances», 2021. Photography: Christoph Zellweger
Typhaine Le Monnier, «Viseira», 2020. Visor (steel, ink, acetate). Photography: Teresa Santos. Model: Alice Tropa
Typhaine Le Monnier, «Viseira», 2020. Visor (steel, ink, acetate). Photography: Teresa Santos. Model: Alice Tropa
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Venue Pharmacy Museum
            EXHIBITION
 
COLD SWEAT
Curated by Cristina Filipe and João Norton de Matos SJ
Exhibition design by Fernando Brízio
Communication design Ilhas Studio
 
BIENNIAL OPENNING
16 September, Thursday
 
18h–20h
Galeria de Exposições Temporárias
do Museu de São Roque
Every day 10h–12h and 13h30-18h
Except Monday that is closed
Access conditioned for the celebration of services in São Roque Church
 
22h–23h
From Monday to Friday 10h–18h
Saturday 10h–13h and 14h–18h
Sunday closed
 
Until 20 November, Saturday
 
Educational and Cultural Programme ( pdf to download soon)
 
COLD SWEAT is an exhibition organised by PIN – Associação Portuguesa de Joalharia Contemporânea, in partnership with the Museu de São Roque da Santa Casa da Misericórdia de Lisboa, MUDE – Museu do Design e da Moda, Coleção Francisco Capelo and the Museu da Farmácia.
A central initiative of the 1st Biennial of Contemporary Jewellery of Lisbon, the exhibition of contemporary jewellery also features performance, sculpture, photography and film in dialogue with the space and works of the Church and Museum of São Roque and the Museu da Farmácia, the two venues hosting the exhibition project. Relationships are occasionally established with pieces from the Historical Archives of the Santa Casa da Misericórdia de Lisboa and the Casa Ásia – Coleção Francisco Capelo, not so much to provide contrast as contextualisation, as if the contemporary works were an integral part of the places where they are exhibited, amplifying their meaning. The exhibition programme seeks to revisit works from these museum collections through dialogue with contemporary pieces.
This exhibition arose following the project ‘Jewellery and Objects of Protection for the 21st Century’, developed by PIN in partnership with MUDE during the first period of confinement in Portugal, becoming the theme of the 1st Biennial of Contemporary Jewellery of Lisbon. It adopts and expands on this topical theme through the inclusion of works by other national and international artists from the last twenty years who reflect on the Body, Fear and Protection in different ways.
On 7 and 8 October, the exhibition will host the Precious Crown belonging to the collection of the Museum of the Sanctuary of Fatima, made from jewels donated to the Sanctuary in gratitude for Portugal's avoiding of the devastation of World War II. Since 1984 the crown also holds a contact relic in the form of the bullet that wounded Pope John Paul II in Rome, thus taking on the function of a reliquary. It will appear as part of a triptych with the altars of the reliquaries in front of the main altar of the Church of São Roque.
The dialogue between apparently heterogeneous works aims to stimulate reflection around the disturbing historical moment we are experiencing.
Two meetings will be organized within the scope of the exhibition: the Precious Crown Colloquium on 7 October, which brings together several specialists on the subject, moderated by Madalena Braz Teixeira. And on the opening weekend, 16, 17 and 18 September, the Colloquium Body Fear and Protection brings together several researchers from different areas who will help us to reflect on the core themes of the exhibition.
During the opening weekend  of The Biennial and as an integral part of its programming, two performances will take place in the Cold Sweat exhibition context: "Dr. Knap: Qualified Jewellery Artist" with the artist Agnieszka Knap at the Museu da Farmácia, more directly related to the theme Body, and the performance "Throwing Knives" with the artist Gisbert Stack on September 17th, with the theme Fear, will take place at the Temporary Exhibitions Gallery of the Museu de São Roque.
 
Participants: Lúcia Abdenur (BR), Telma Aguiar (BR), Ana Albuquerque, Inês Almeida, Pilar Andaluz, José Aurélio, Daniel Blaufuks, Fernando Brízio, Caroline Broadhead (UK), Monika Brugger (DE/FR), Ana Cardim, Jorge Castañon (AR), Carla Castiajo, Paula Castro, Rui Chafes, Norman Cherry (UK), Marcia Cirne (BR), Paula Crespo, Ramón Puig Cuyàs (ES), Teresa Dantas, Hilde De Decker (BE), Patrícia Domingues, Nedda El-Asmar (BE), Dulce Ferraz, Fernanda Fragateiro, Sandra Manin Frias (BR), Alberto Gordillo, Gesine Hackenberg (NL), Leonor Hipólito, Manuel Júlio, Beppe Kessler (NL), Agnieszka Knap (SW), Miriam Mirna Korolkovas (BR), Kukas, Salomé Lamas, Kadri Mälk (EE), Paolo Marcolongo (IT), Nanna Melland (NO), Marília Maria Mira, Typhaine Le Monnier (FR/PT), Lia Morais, Zélia Nobre, Olga Noronha, Ted Noten (NL), Inês Nunes, Natália Olarte (CO), Maria José Oliveira, Ruudt Peters (NL), Alexandra de Serpa Pimentel, Valentim Quaresma, Marta Costa Reis, Isa Duarte Ribeiro, Rudolf Ruthner (AU/BR), Nininha Guimarães dos Santos, Bernhard Schobinger (CH), Tereza Seabra, Pedro Sequeira, Catarina Silva, Diana Silva, Theo Smeets (NL/DE), Filomeno, Manuela Sousa, Gisbert Stach (DE), Deganit Stern-Schoken (IL), Hans Stofer (CH), Luís Torres, Mar Juan Tortosa (ES), Manuel Vilhena, Tine Vindevogel and Christoph Zellweger (CH)  
 
Casa Leitão & Irmão, for the Precious Crown. 
 
Alcides Fortes and Valeria Vallarta neckpiece and Valeria and Hes Siemelink wedding rings, in memoriam of Valleria Vallarta Siemelink (Mex 1971–PT 2021).

 

CABINET OF RISKS & CHANCES
Instalation, performance and display
New work from Christoph Zellweger (CH)
16 September, Thursday
21h30-22h
Museu da Farmácia
 
 
DR. KNAP QUALIFIED JEWELLERY ARTIST
Performance with Agnieszka Knap
16 September, Thursday
22h-23h
Museu da Farmácia
 
 
THROWING KNIVES
Performance with Gisbert Stach
17 September, Friday
16h–17h
Galeria de Exposições Temporárias
do Museu de São Roque
 
Free entrance.
Limited places by arrival order.